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Our beautiful, fallen world contributes to our spiritual formation. We can focus either on its ugliness, becoming hardened and embittered as Jean Valjean did for a long time, or on its beauty, allowing us to see goodness in the world and in others as Bishop Bienvenue learned to do slowly over time.

In this, our inaugural episode, Renovaré President Ted Harro and host Kristy Lahoda discuss the lived virtue of Monseigneur Bienvenu, which translates to Welcome, from Victor Hugo’s Les Misérables. He highlights Bishop Welcome as one who is spiritually formed over a long period of time into someone with “universal tenderness,” as Hugo writes. We talk about how God uses the self-forgetful life of the bishop to change the life of Jean Valjean.

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Guest

Ted Harro
President of Renovaré

Ted leads Bright Star Marriage, a marriage mentoring ministry, with his wife, Gretchen, is the dad to two adult sons, and is a bread afficionado. He recently became the president of Renovaré, an organization that offers resources and community for a deeper, more transformative life with God.

Ted Harro

Host

Kristy Lahoda
Fiction Writer, Spiritual Formation Practitioner, and Fiction that Forms Us Creator and Host

Kristy is a Renovaré Institute for Christian Spiritual Formation graduate (2018-2021), has a Ph.D. in chemistry, and is a contract scientific technical editor. She lives in central Ohio with Rob, her husband of 18 years, and their three children, 14 year-old girl/boy twins and a 12 year-old boy.

Kristy Lahoda

Show Notes

Quotes Mentioned in the Podcast Episode

At 5:43, Kristy mentions Jean Valjean's character right before he met the bishop:

“He questioned himself if human society could have the right alike to crush its members, in the one case by its unreasonable carelessness, and in the other by its pitiless care; and to keep a poor man for ever between a lack and an excess, a lack of work, an excess of punishment. If it were not outrageous that society should treat with such rigid precision those of its members who were most poorly endowed in the distribution or wealth that chance had made, and who were, therefore, most worthy of indulgence. These questions asked and decided, he condemned society and sentenced it. He sentenced it to his hatred. He made it responsible for the doom which he had undergone, and promised himself that he, perhaps, would not hesitate some day to call it to an account. He declared to himself that there was no equity between the injury that he had committed and the injury that had been committed on him; he concluded, in short, that his punishment was not, really, an injustice, but that beyond all doubt it was an iniquity. … And then, human society had done him nothing but injury; never had he seen anything of her, but this wrathful face which she calls justice, and which she shows to those whom she strikes down. No man had ever touched him but to bruise him. All his contact with men had been by blows.”

Victor Hugo, Les Misérables (New York: Random House Inc., 1992), 77-78, Kindle.

 

At 13:08, Ted mentions a quote about Valjean's character after meeting the Bishop. Here is more context:

“Being just out of that misshapen and gloomy thing which is called the galleys, the bishop had hurt his soul, as a too vivid light would have hurt his eyes on coming out of the dark. The future life, the possible life that was offered to him thenceforth, all pure and radiant, filled him with trembling and anxiety. He no longer knew really where he was. Like an owl who should see the sun suddenly rise, the convict had been dazzled and blinded by virtue.

One thing was certain, nor did he himself doubt it, that he was no longer the same man, that all was changed in him, that it was no longer in his power to prevent the bishop from having talked to him and having touched him." (97)

 

At 14:16, Kristy talks about the point of Les Misérables:

“Is there not in every human soul, was there not in the particular soul of Jean Valjean, a primitive spark, a divine element, incorruptible in this world, immortal in the next, which can be developed by good, kindled, lit up, and made resplendently radiant, and which evil can never entirely extinguish.” (78-79)

 

At 19:43, Ted discusses how the bishop’s life was very busy:

“A bishop is a very busy man, he must receive the report of the clerk of the diocese, ordinarily a prebendary, every day; and nearly every day his grand vicars. He has congregations to superintend, licenses to grant, all ecclesiastical bookselling to examine, parish and diocesan catechisms, prayer-books, etc., charges to write, preachings to authorise, curés and mayors to make peace between, a clerical correspondence, an administrative correspondence, on the one hand the government, on the other the Holy See, a thousand matters of business. What time these various affairs and his devotions and his breviary left him, he gave first to the needy, the sick, and the afflicted; what time the afflicted, the sick, and the needy left him, he gave to labour. Sometimes he used a spade in his garden, and sometimes he read and wrote. He had but one name for these two kinds of labour; he called them gardening. “The spirit is a garden,” said he.” (17)

 

At 19:54, Ted discusses how the bishop loves being in the garden and appreciates beauty, even over the utilitarian:

“The garden, which was somewhat marred by the unsightly structures of which we have spoken, was laid out with four walks, crossing at the drain-well in the centre. There was another walk round the garden, along the white wall which enclosed it. These walks left four square plats which were bordered with box. In three of them Madame Magloire cultivated vegetables; in the fourth the bishop had planted flowers, and here and there were a few fruit trees. Madame Magloire once said to him with a kind of gentle reproach: “Monseigneur, you are always anxious to make everything useful, but yet here is a plat that is of no use. It would be much better to have salads there than bouquets.” “Madame Magloire,” replied the bishop, “you are mistaken. The beautiful is as useful as the useful.” He added after a moment’s silence, “perhaps more so.” This plat, consisting of three or four beds, occupied the bishop nearly as much as his books. He usually passed an hour or two there trimming, weeding, and making holes here and there in the ground, and planting seeds. He was as much averse to insects as a gardener would have wished. He made no pretentions to botany, and knew nothing of groups or classification; he did not care in the least to decide between Tournefort and the natural method; he took no part either for the utricles against the cotyledons, or for Jussieu against Linnæus. He did not study plants, he loved flowers. He had much respect for the learned, but still more for the ignorant; and, while he fulfilled his duty in both these respects, he watered his beds every summer evening with a tin watering-pot painted green.” (22)

 

At 23:59, Ted talks about how the Bishop became self-forgetful, and thus, free:

“Monseigneur Bienvenu had been formerly, according to the accounts of his youth and even of his early manhood, a passionate, perhaps a violent, man. His universal tenderness was less an instinct of nature than the result of a strong conviction filtered through life into his heart, slowly dropping in upon him, thought by thought; for a character, as well as a rock, may be worn into by drops of water. Such marks are ineffaceable; such formations are indestructible.” (48)

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All Flame by Carolyn Arends

Thank you to Carolyn Arends for permission to use her song, "All Flame", from the album Recognition, for the podcast's intro and outro. Carolyn is a singer/songwriter, the Director of Education at Renovaré, and was one of my instructors in the Renovaré Institute. She has become a dear friend.

You can learn more about Carolyn at carolynarends.com.

If you'd like to purchase the song or the album, you can download it at her web store.

Recognition album cover

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